Today we have entered the 21st century. Modern people have modern people's lifestyles and concepts. GDP has increased, people's income has increased. People have an urgent need for the return of traditional culture and the appreciation of art. This is closely linked to the progress of society. More and more people realize that our classical furniture is passed down by the ancestors and embodies the traditional culture of hundreds of years and even thousands of years. People have formed a cultural accumulation and inheritance in their minds, especially in an international political and cultural center such as Beijing. More and more people feel strongly that they need to improve their cultural heritage, supplement and accumulate, only in social stability. In the context of social stability, people will have the energy to collect. If the war is raging and cold, people will not think of collecting. Guan Yi, executive director of the Chinese Cultural Relics Society and director of the Taihe Mushu Art Museum of the Palace Museum, believes that people's love for mahogany classical furniture cannot be simply called retro tide. The national is the world. It should be called the original source. Classical furniture contains too many thoughts and philosophies of the Chinese, as well as the Chinese people's appreciation of aesthetics and the accumulation of traditional culture. These things all have strong Chinese symbols, from which we can trace the ancestors into the traditional culture. Confucianism and Taoism have led to the formation of modern Chinese people's moral values, outlook on life, and values, and these things are in line with the behavioral habits of our Chinese. Just as Guan Yi switched to the traditional furniture field, one of the main reasons was that he had a natural closeness and love for Chinese traditional culture, which made him full of interest in traditional furniture. In addition, he likes to use his brains, find the basis, and likes to be true. He also likes to trace the source. For various viewpoints in the field of traditional furniture research, he likes to refer to history to distinguish the true meaning, and must use the official history. Checking and verifying is precisely this kind of more true spirit, which makes Guan Yi more and more deeply understand the research and understanding of traditional furniture. It can't just stay in the furniture itself. The ancients said that the article "Kung Fu is outside the poem" is also the furniture. . Nowadays, many people in the mahogany furniture market focus on materials and light craftsmanship. If you buy furniture, you can see whether it is huanghuali and red sandalwood, but you don’t have to seriously understand and evaluate the craft. Guan Yi thinks this phenomenon is actually absurd. . After all, the greatest value of traditional furniture is culture and connotation, not materials. Huanghuali and red sandalwood are indeed very valuable woods, but they also need to be used in quantity. To grasp the scale, we can highlight the magnificence of the material itself, and pursue the heavy materials and materials without any aesthetic and use requirements. Good wood is nothing but a pile of wood. In the furniture line, the "three-point, seven-point work" can be seen in the process. Do mahogany furniture, whether it is inheriting tradition or innovation, as long as the craft is in place and meets the function of use, it has a certain visual impact, and has the value of viewing and collection, that is good furniture. Any art form creates a shock in the mind. The purpose of any art is to teach and enjoy music. It is derived from life and above life. It is to show the social phenomena in life in front of people's eyes. In the process of pursuing tradition, there must be development and innovation. The so-called: the ancients did not see the present month, this month has been according to the ancients. Ancient is used today, foreign is used in China, any inheritance is like this, there must be development and innovation, and in this process allow failure, this is a process of exploring the unknown world. Art can't be art purely for art. It must be done for the customers and infect the society with a serious attitude. This is the essential difference between the artist and the craftsman, the artist is creating, and the craftsman is imitating. Guan Yi said: "I have always pursued the beauty of the United States and devoted myself to the field of Chinese traditional culture. I hope to make the best Chinese classical furniture in China and the world. This is my ideal, although this ideal may Very big, but I will work tirelessly for this goal every year."
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The classical furniture of mahogany is increasingly cherished and appreciated by the cultural circles and collectors at home and abroad. Some people call it “retro tideâ€. In fact, it cannot be simply called retro tide. It should be a return to traditional culture.